…But in the meantime:

• Go register for our MiniFFC next Thursday (beer! pizza! FFC tickets!)
• and the big FFC next September (workshops! networking! goodies! afterparty!)
• and read Mae’s post, ‘cause if both our blogs were on Tumblr I’d be reblogging the heck out of it and adding a ton of applause/THIS/bless this post images below. I want to see it get over its rebellious teenage stage, quit its cocaine sniffing ways and be a proper adult who’s part of the sober society Perfect. Wait what do you mean that doesn’t count as a roadmap?

I’ve felt this way for a long time.

Many were outraged when Willie Revillame goaded a child named Jan-Jan to dance in a macho dancer style. Even while he was already crying, he was still goaded to dance. Needless to say, it already caused a Net Rage and it revived initiatives to permanently censure the long-notorious Revillame, who had smears on his name after the MTB incident and the Wowowee stampede, plus more.

But this brings me to a topic I have long thought about: Does Filipino culture really treat children poorly? The treatment of Jan Jan in the show may actually be a barometer of the way Philippine society as a whole treats their children.

[...] Even within families, children are used for adults’ pleasure. At parties, they are sometimes made to dance the Ocho-Ocho, Spaghetti Dance or other funny dances just to make the adults laugh. I find that rather unkind. Adults like these only treat children as a source of entertainment, and not as the future. Thus, the disrespect that media shows in children may or may not be a reflection of treatment in the family.

There was a time when I’d gladly sing and dance and declaim on top of coffee tables, no goading necessary, but not everybody feels the same way and even if it’s “just” a kid who does, that opinion should matter. And people wonder where all the angst and emo(-ness?) come from.